

WHEN YOU CONNECT WITH A BRAND, WHAT QUALITIES RESONATE WITH YOU BEYOND THE PRODUCT ITSELF?
I’m always interested in the founder’s story why they chose to create what they did and how they produce their goods. Is there intentionality? Originality? And of course, the imagery does so much; the typeface, the colors, the retail space, every touch point is creating the world. When that world is intriguing and cohesive, it does a lot for me.
FROM OBJECTS OF DESIRE TO LA CHUTE, YOU HAVE SUCH A DISTINCT POINT OF VIEW-HOW DO YOU IDENTIFY WHEN SOMETHING IS TRULY TIMELESS?
I don’t really think about timelessness. I think if you train your eye, then you are usually drawn to things with provenance, things that feel special in the context of history and not just the moment we’re in. I don’t experiment with trends in furniture, but in fashion, I might. I think it’s important not to take it too seriously. I’m bored with perfect, sparse spaces. I like to be able to imagine who you are, by walking into your home or closet.
WITH SOURCING SUCH AN INTEGRAL PART OF LA CHUTE, WHERE DO YOU MOST LOVE TO DISCOVER PIECES?
Paris, of course. Both at Sant Ouen and the brocantes, which are these roving flea markets all around the city. We buy a lot at auction as well. It’s a logistical nightmare sometimes but you get the best deals.

ARTISTS, DESIGNER OR MAKERS YOU ARE ESPECIALLY EXCITED ABOUT RIGHT NOW?

WHAT DRAWS YOU TO ESHA SONI?








